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Tarubadur Tales includes a range of stories that originate in Northern Africa and ancient Egypt.
The Sahara runs from east to west across the widest part of Africa, a vast desert dividing the continent into two main regions. North Africa consists of the Mediterranean coast from Morocco to Egypt and includes the valley of the Nile River as far south as Ethiopia. With strong ties to the Mediterranean and Arab worlds, North Africans felt the influence of Christianity by the A.D. 300S, and in the 700s, much of the area came under the influence of Islam.
The people of the Maghreb and the Sahara speak various dialects of Berber and Arabic and almost exclusively follow Islam. The Arabic and Berber groups of languages are distantly related, both being members of the Afro-Asiatic family. The Sahara dialects are generally considered to be notably more conservative than those of coastal cities.
Over the years, Berber peoples have been influenced by other cultures with which they came in contact: Nubians, Greeks, Phoenicians, Egyptians, Romans, Vandals, Arabs, and lately Europeans.
The cultures of the Maghreb and the Sahara, therefore, combine elements from indigenous Berber, Arab and neighbouring parts of Africa and beyond. In the Sahara, the distinction between sedentary oasis inhabitants and nomadic Bedouin and Tuareg is particularly marked.
The diverse peoples of the Sahara are usually categorized along ethno-linguistic lines. In the Maghreb, where Arab and Berber identities are often integrated, these lines can be blurred. Some Berber-speaking North Africans may identify as "Arab" depending on the social and political circumstances, although substantial numbers of Berbers, or Imazighen have retained a distinct cultural identity which in recent times has been expressed as a clear ethnic identification with Berber history and language. Arabic-speaking Northwest Africans, regardless of ethnic background, often identify with Arab history and culture and may share a common vision with other Arabs. This, however, may or may not exclude pride in and identification with Berber or other parts of their heritage.
The Nile Valley through northern Sudan traces its origins to the ancient civilizations of Egypt and Kush. The Egyptians over the centuries have shifted their language from Egyptian to modern Egyptian Arabic, while retaining a sense of national identity that has historically set them apart from other people in the region. Most Egyptians are Sunni Muslim and a significant minority adheres to Coptic Christianity. In Nubia, straddling Egypt and Sudan, a significant population retains the ancient Nubian language but has adopted Islam. The northern part of the Sudan is home to a largely Arab Muslim population, but further down the Nile Valley you find the largely non-Muslim Nilotic and Nuba peoples.
As you will, no doubt, appreciate, this rich melange of migrations and contacts has profoundly influenced storytelling among the varied cultural, ethnic and religious groups across North Africa. There is the usual mix of magic and animism and a strong sense of duty and morality, even if those senses are a little different to some of the cultural norms of the early twenty-first century.
There is also the usual mix of force and brutality in folklore and fairy tales, themes that we have seen writ large across all of the books in the Fireside series.
One thing that I have taken the liberty of changing in general terms is the more overt racism and social and political supremacist influences inherent in nineteenth century presentation, particularly amongst European collectors. I have not altered the core of any story, but have mostly adapted certain characters to remove obvious biases.