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Inkathaso Tales

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Hardback:

Paperback:

eBook:

978-1-913500-48-1

978-1-913500-47-4

978-1-913500-49-8

Video:

The Cannibal's Wonderful Bird

Synopsis

Inkathaso Tales includes a range of stories that originate in Southern Africa. South African

Folklore is firmly rooted in an oral, historical tradition. It is tied to the region’s landscape and fauna, with fantastic creatures playing an important role in these stories. Music and song is often used to tell the story and the tales' values are usually firmly African, with community and sharing being key.

Most of the sources that I have access to stem from the great tradition of the 19th century collectors, anthropologists and philologists, with much of the literature focused on the San people (Bushmen), nomadic hunter-gatherers who live in South Africa and in the neighbouring countries of Botswana, Namibia and Zimbabwe. Their focus is typically on animal stories and, in particular, stories about the jackal, a dangerous and comical trickster figure.

We also have some significant entries in this collection from the later tribal communities that formed in advance of European colonisation in the south.

There are also many stories about the lion and his family, along with tricky little rabbits, and other familiar animals such as doves, tortoises, and snakes, plus distinctively African animals like the ostrich and the eland. There are tales of tiny animals too, like the many different kinds of ants who live in fear of the dreaded anteater, or the little ‘tink-tinkje" (finch) who has always wanted to be king of all the birds.

As in most folktales, there is a strong supernatural element where animals, reeds or trees take human form or assume human characteristics, gods take human women as brides, and thunder can deliver messages. Because the stories spring from an oral tradition, they often feature music, song and dance as an integral part of the plot, meaning that the refrains would have been known to the audience, who would have joined in with the storyteller.

The stories can, of course, be brutal and often contain death and disaster. In this, too, they reflect a certain African reality, although collectors and regular readers of folklore and fairy tales will recognise that brutality as a common theme in cautionary tales the world over.

A Sample...

The Cannibal's Wonderful Bird

A number of girls once went away from their homes early in the morning for the purpose of getting imbola, which is a red dye used to colour their bodies and clothes.

Among them was the daughter of a chief, a very pretty girl. After they had collected the imbola, they were about to return home, when one of them proposed that they should bathe in a large pool of water that was there.

To this they all agreed, and so they went into the water and played about in it for a long time.

At last they dressed themselves again, and set out for home, but when they had gone some distance, the chief's daughter noticed that she had forgotten one of her ornaments, which she had taken off when they went to bathe.

So she asked her cousin to return with her to get it. The cousin refused. Then she asked another girl, and another, but one and all refused to go back. She was thus obliged to return to the water alone, while the other girls went home.

On arriving at the pool, a big ugly cannibal with only one leg came up to her, caught her, and put her in his bag. She was so frightened that she lay quite still. The cannibal then took her round to the different villages and made her sing for him. He called her his bird...

If you want to read the full story, then buy this book now on Amazon...

© Copyright Clive Gilson 2011-2025
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